Rafi So youngest Producer

Rafi and The Beat who founded the former drummer little Rafi finally released the album entitled 'MusicFrom Our Sou'l. Remarkably, the album was produced Rafi was given an award bythe Indonesian Record Museum (MURI).

Rafi received an award from MURI for being the youngest producer in Indonesia.Currently working on his album, Rafi was still 12 years old.

"Despite her age has been 14 years but the process of Becoming a producer Pls hewas 12 years old," said director MURI, Jaya Suprana in Senayan, Jakarta, recently.

To realize That project, Rafi recruit a number of young musicians. As Agus Kristianto(bass), Satriawan Wiguna (keyboards), Felix Haryono (guitar), Raben (MC Rap) andRudolf (vocals). The result, They pour ten songs in one album.

On this album, Rafi incorporate many elements of soul music. However, jazz character attached to it Remains a vital element in the album. Recycling song's late Tim, You're Gonna Say Their chosen to be first single.

"The song as a form if We appreciate the music of Indonesia. Rafi also familiar with the song creator, Guruh Soekarno Putra and We ngefans with the late Tim. We are at the same time educate the children of today to appreciate the song Indonesia. We love but still another color, "explains Rafi.

Luna Maya Enjoy Together Killing Me Inside

f during the Luna Maya is known as a pop song with slow music, this time from Bali's beautiful model is created with the music louder. Through the single Let, Luna duet with the band Killing Me Inside at the bottom of the flag label RPM. What is the reason Luna willing to duet?
"(Because) the label so Luna will sing together Killing Me Inside. Coincidence also the duet song material also exists in the material Luna album. Of the 8 songs on the album Luna, one of them yes same duet song Killing me inside, so we promosiin together, "said Deasy Fitriani as PR and Promotion RPM, Monday (21 / 3).

The Killers

Inspiration has never eluded Las Vegas' The Killers, and it's a damn good thing it hasn't, because their newest record, their third studio album entitled Day & Age is full of their finest songs to date.

Formed in Las Vegas in 2002, the band belongs to the lineage of high-energy rock bands that manage to be both commercially successful and critically acclaimed (both of their studio albums have received endless column inches bursting with praise), and it's almost mind-blowing to consider that without the classifieds section of a local paper, they might have never been.

Flowers first met guitarist Keuning while perusing said classifieds for fellow musicians; when Dave's ad mentioned The Beatles, Oasis and more, Flowers knew he was on the right track. They claimed the name The Killers (taken from the bass drum of a fictional band in a New Order video), and eventually recruited Stoermer and Vannucci into the fold, all of them agreeing that there seemed to be an intangible something to the music they were making, as well as the response they were generating from people who saw them play.

Their debut, Hot Fuss, catapulted them onto the global stage upon its 2004 release, selling millions of copies around the world. The band toured for two years straight, playing more than four-hundred shows, and eventually returned to Vegas to begin to work on the follow-up album. The result is a love letter of sorts to their hometown entitled Sam's Town, which was released in 2006 and spent forty-two weeks on the Billboard Top 200.

The signature first single off Day & Age is the synth-heavy "Human," four minutes of sweeping, epic rock. But The Killers also experiment with different instruments here. "I Can't Stay" has a tropical sound and, as the Flowers says, "could be the most perfect pop song we've ever written." "Losing Touch," meanwhile, is a gorgeous uptempo track with bright horns and grim lyrics that lend it an ominous vibe. "Spaceman," an unabashedly arena-sized glam-rock number whose associative lyrics reference, among other themes, alien abduction. More than anything, The Killers are excited for their fans to hear what they've been creating, though, says Stoermer, "We're always a little nervous about whether people are going to like it."

The people have in the past, and they will, yet again.

To find out more about The Killers, check out their official site at www.thekillersmusic.com

Panic At The Disco

Hyperventilating, screaming and moshing – once these three elements are happening simultaneously, it is needless to say that Panic At The Disco is in the building. Gone are its days of the exclamation mark and weird lyrics (previously called Panic! At The Disco). Now the boys are back punctuation-free and on a much happier note, with their latest album Pretty. Odd.

This Las Vegas, Nevada quartet went from imitating Blink's Tom Delonge and Travis Barker to writing their original material and eventually gigging on the local scene, earning a following for their seamlessly blended mixture of pop punk, rock and disco.

However, writing the songs on their album Pretty. Odd. was no easy task for the band. Bassist Jon Walker said in an interview with MTV.com, "Because we were writing the album in a kind of story theme, and it was constraining us from doing anything. The first song we wrote after that was 'Nine in the Afternoon,' and instantly we were like, 'All right, we were having more fun doing this."

From that point, Panic At The Disco buckled down and by the end of the year, they were well on their way to wrapping production on Pretty. Odd., flying to London's famed Abbey Road Studios to add flourishes of horns and strings, which were incredibly fitting.

Striving for perfection in differentiation, drummer Ryan Ross chimed in. "We still try to write the smartest lyrics and the best melodies possible, just in a different way. And I hope people can hear that."